![The front cover of a square-format magazine with an abstract image featuring horizontal and vertical red bars with off-white shadow accents against a black background in the reductive, Neoplasticist style inspired by the architect Frank Lloyd Wright. The simplified composition features red bars in a squared, backward C-shape. Parallel horizontal bars near the top third of the cover are accented with an off-white reveal with stylized, right-justified red typography [Wendingen], the name of the decorating periodical. The bottom right corner lists, in three rows, the name of the architect [Frank Lloyd Wright] in red, whose work is featured in the issue. In smaller, black stylized print in the bottom right corder is the text [Aflevering] -- meaning 'delivered' in Dutch -- next to red Roman numerals [III], representing the third issue. The lettering gives the impression of cantlevered, flat roof, Wright-inspired buildings. Six small round holes on the left margin are threaded with black string, ostensibly holding the periodical together. There are light signs of wear and tear along the edges.]( https://images.collection.cooperhewitt.org/325937_f0bb78225954cf45_b.jpg
"Object ID #907214039")
Object Timeline
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Object ID #907214039
This is a Magazine, Cover, frontside.
This object is not part of the Cooper Hewitt's permanent collection. It was able to spend time at the museum on loan from Smithsonian Libraries and Archives as part of The Jazz Age: American Style in the 1920s.
Seven issues of the Dutch building and decorating periodical Wendingen were devoted to the work of Frank Lloyd Wright. Their front and back covers featured Wright-inspired pattern and composition. The periodical was recognized for its focus on modern architecture, art, and design, as well as its graphically innovative covers.
It is credited Smithsonian Libraries, Cooper Hewitt Smithsonian Design Library, N5 .W469 folio.
![The back cover of a square-format magazine with an abstract image in black, red and off-white in the reductive, Neoplasticist style inspired by the architect Frank Lloyd Wright. The simplified composition features horizontal and vertical red bars against a black background. Two parallel horizontal bars near the top third of the cover are accented with an off-white reveal, the top line with stylized, left-justified typography [H.Th.W.], for the architect and cover designer H. Th. Wijdeveld, and the adjacent line below with the year [1925] in between red vertical bars. Shorter red, parallel vertical bars of equal height and spacing line the bottom of the cover, which has a partial red border on the left and bottom. Six small round holes on the right margin are threaded with black string, ostensibly holding the periodical together. There are light signs of wear and tear along the edges.](https://images.collection.cooperhewitt.org/325965_363a11304e13f0d4_n.jpg "Object ID #1108722047")
- Object ID #1108722047
- lithograph print on paper.
- Smithsonian Libraries, Cooper Hewitt Smithsonian Design Library, N5 .W469 folio.
- 43.2016.18
- Poster, Internationale Economisch-Historische Tentoonstelling (Exhibition of...
- block print, letterpress on cream wove paper.
- Museum purchase through gift of Eleanor and Sarah Hewitt and Jacob H. Schiff....
- 2001-7-1
- Peacock Side Chair
- oak, leatherette upholstery.
- Gift of Tetsuzo Inumaru.
- 1968-137-1-c
Its dimensions are
34.3 x 34.0 cm (13 1/2 x 13 3/8 inches)
This object was previously on display as a part of the exhibition The Jazz Age: American Style in the 1920s.
